Happy Christmas, holidays, non-Christmas before I forget!
My essay on the requirements for writing for children is now complete - whoo! Now I have another one on the relationship between an author and his agent: I have decided there's so much back story on the Martin Amis and Andrew Wylie union that I can surely piece two thousand words together with some coherence.
I have collated as many interviews and news stories to file as I could find, have earmarked some great paragraphs to help shape the aspects I need to focus upon: the mutual needs/ requirements/ ambitions of both I hope are what is intended... of course if there's anyone out there who could pass on some insight I would love it.
Just have to say that I love software for writing. Saving myself so much paper. Pasting quotes with reference details is so much easier: copy... paste... reference... bliss! OCD alert in being able to hilight what quotes I've used and for what. I know - it's very sad, but it's saving me so much time.
Just managed to squeeze a classy little read in between theory and 21st century literature criticism reading. Let me introduce the world to Susan Hill's The Small Hand (published by Profile books).
There's just enough darkness to be a super ghost story, but I repeat 'classy' because it simply just is. Doesn't need jazz or guts or heartpounding pace, because it's slow, creeping... just beyond the eye - or should I say grasp.
Andrew Snow is an anitquarian bookseller/finder who stumbles upon and old neglected house which he then leaves with the gnawing presence of a hungry small hand catching at his own. I'm saying nothing more. It's the journey from there on in that's enjoyable.
Beautiful jacket over a petite little hardback, this novella needs to be enjoyed with a glass of something stylish, or be read in a country garden at dusk. What can I say apart from that I am a sucker for the refined.